You’ve probably heard all about Upton Sinclair’s 1906 expose of the turn-of-the-century American meatpacking industry and the Chicago stockyards…but everything you’ve heard about it is wrong. The book wasn’t an expose of the meatpackers, the legislation it inspired served to help the industry it sought to punish, and Sinclair himself hated the end result of his book, which aimed for the heart and hit the stomach by accident. Join us for this month’s edition of the Film, Literature and the New World Order as we learn not to trust what’s on the label of mainline history.
On this edition of Film, Literature and the New World Order we talk to Sibel Edmonds of BoilingFrogsPost.com about the 1975 spy thriller, Three Days of the Condor. We explore the context of the film’s release, the possible CIA involvement with the production itself, and what the film’s ambiguous ending tells us about the nature of the deep state and the media’s role in covering it up. We also discuss the future of Newsbud.
This month on Film, Literature and the New World Order David Friedman joins us to discuss Robert Heinlein’s science fiction classic, The Moon Is A Harsh Mistress. We discuss the power of Heinlein’s example of an anarchistic society and examine that society’s devolution into democracy. We also talk about whether books like this have value as metaphor or even blueprint for an anarchist transformation of society.
The Big Short purports to tell the story of the housing bubble of the last decade and the subsequent global financial collapse…and it actually isn’t as terrible as you might think. Join James on this week’s edition of Film, Literature and the New World Order as we talk to Robert Wenzel of EconomicPolicyJournal.com about what The Big Short gets right and what it leaves out.
The Film, Literature and the New World Order podcast returns to its regular schedule after a brief hiatus with a conversation with Tim Kelly of the Our Interesting Times podcast about the 1962 film adaptation of Richard Condon’s 1959 novel The Manchurian Candidate. We discuss the details of the MK-ULTRA mind control program of the CIA that were still classified at the time of the movie and why/how these details were being put before the public in fictional form at that time.
This month on Film, Literature and the New World Order we talk to Jay Dyer of JaysAnalysis.com about his review of the 2006 Christopher Nolan film, The Prestige. Topics discussed include twilight language and the revelation of the method, what Nikola Tesla signifies in the story, the art of misdirection, the similarities between stagecraft and statecraft, and much more.
In this edition of Film, Literature and the New World Order James is joined by author, artist, podcaster and researcher Thomas Sheridan of ThomasSheridanArts.com. Together they tackle James Joyce’s A Portrait of the Artist as a Young Man…and the entirety of the Joycean ouevre. Is Joyce the ultimate anti-imperialist, post-colonial, iconoclastic exile hero? The smith of the uncreated conscience? A literary magician? A man whose hand did many other things as well? All and none of the above? Yes I said yes he will yes.
With their new Netflix original series, “Daredevil,” the Marvel Entertainment juggernaut of recent years looks set to grow even bigger. But given that Marvel is now owned by Disney, and given the long history of comic books being used for propaganda, and given the documented ties between Marvel and the Pentagon, what kind of cultural conditioning is this series subjecting us to? Are we facing a tide of “propaganda of violence,” and, if so, how should we react to it? Join us in this month’s Film, Literature and the New World Order for an exploration of these issues with James Evan Pilato of MediaMonarchy.com
